GT Pressura

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Family overview
  • Standard
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Mono
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Extended
  • Light Italic
  • Text Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
Subfamilies
  • Standard Light
    Chipping around - kick my brains around the floor
  • Standard Light Italic
    Japan Post Service, Tokyo, Japan, 2007 Norio Kitamura
  • Standard Text
    E.g. by bulk carrier or tank ship, tank car or truck. For air freight, the more light-weight IATA-defined
  • Standard Text Italic
    Кин-дза-дза! на английском языке или с английскими субтитрами
  • Standard Regular
    Under the supervision of Tantlinger, a new 35 ft (10.67 m) x 8 ft (2.44 m) x 8 ft 6 in (2.59 m) Sea-Land container was developed, the length determined by the maximum length of trailers then allowed on Pennsylvanian highways.
  • Standard Regular Italic
    Джентельмены удачи на английском языке или с английскими субтитрами
  • Standard Medium
    Intermodal containers are primarily used to store and transport mate­rials and products efficiently and securely in the global containerized intermodal freight transport system, but smaller numbers are in regional use as well.
  • Standard Medium Italic
    Why can’t we give love, give love, give love, give love, give love, give love, give love, give love?
  • Standard Bold
    This system used roller containers for transport by rail, truck and ship, in various configurations up to 5,500 kg (12,100 lb)
  • Standard Bold Italic
    Japan Post Service, Tokyo, Japan, 2007 Norio Kitamura
  • Standard Black
    Кин-дза-дза! на английском языке или с английскими субтитрами
  • Standard Black Italic
    The more populous northern part of the country, comprising
  • Settings
    Size
Typeface information

GT Pressura is inspired by metal type printing history as well as engineered letters stamped onto shipping boxes. It uses the visual gesture of ink spreading under pressure as a stylistic device, offering an alternative to more spindly typefaces of the digital age.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian , Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Cyrillic-alphabet languages: Abaza, Adyghe, Aghul, Avar, Bashkir, Balkar, Belarusian, Bosnian, Bulgarian, Buryat, Chechen, Chuvash, Crimean Tatar, Dargin, Dungan, Erzya, Ingush, Kabardian, Kalmyk, Karachay, Karakalpak, Kazakh, Khinalugh, Komi, Kumyk, Kyrgyz, Lak, Lezgian, Macedonian, Moldovan, Mongolian, Moksha, Nanai, Nogai, Ossetian, Russian, Rusyn, Rutul, Serbian, Tabasaran, Tajik, Tat, Tatar, Turkmen, Tuvan, Uyghur, Ukrainian, Uzbek

Further available languages: Greek, Vietnamese

Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Pressura’s fonts:

  • TNUM
  • Tabular Figures
13.07.2048
  • SS01
  • Alternate a
React
  • CASE
  • Case sensitive forms
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Typeface Minisite
  • Visit the GT Pressura minisite to discover more about the typeface family’s history and design concept.
GT Pressura in use