GT Era
Family overview
- Display
- Thin Oblique
- Light Oblique
- Regular Oblique
- Medium Oblique
- Bold Oblique
- Heavy Oblique
- Black Oblique
- Text
- Thin Oblique
- Light Oblique
- Regular Oblique
- Medium Oblique
- Bold Oblique
- Heavy Oblique
- Black Oblique
Subfamilies
- Display ThinBei der Betrachtung der Abbildungen dieses Buches vergegenwärtige man sich: Die knappe Ausnutzung von Zeit, Raum, Stoff und Geld in Industrie und Wirtschaft bestimmt entscheiden die Faktoren der Gesichtsbildung für alle modernen Bauorganismen.
- Display Thin ObliqueIn 1920, Albers joined the Weimar Bauhaus as a student and became a faculty member in 1922, teaching the principles of handicrafts.
- Display LightThe creative human being knows (and suffers from it) that the inherent values of life are being destroyed under the pressure of moneymaking, competition, and trade.
- Display Light ObliqueThe repetition of standardized parts, and the use of identical materials in different buildings, will have the same sort of coordinating and sobering effect on the aspect of our towns as uniformity of type in modern attire has in social life.
- Display RegularIn 1920, Albers joined the Weimar Bauhaus as a student and became a faculty member in 1922, teaching the principles of handicrafts.
- Display Regular ObliqueOne proceeds by way of the uniformly compressed circle, of which the oval is a result, to free basic planes. These are, to be sure, without angles but, just as is possible in the case of angular forms,
- Display MediumBut the primary advantage of the flat roof is that it renders possible a much freer kind of interior planning.
- Display Medium ObliqueSo much for technique! But what about beauty? The New Architecture throws open its walls like curtains to admit a plenitude of fresh air.
- Display BoldERNST MAY, Mitarbeiter KAUFMANN, Frankfurt am Main, Siedlung Praunheim bei Frankfurt am Main (1926)
- Display Bold ObliqueLine Diagram 25: Linear structure of the picture “Little Dream in Red” (1925) by Kandinsky, Wassily.
- Display HeavyNot the single piece of work, nor the highest individual attainment must be emphasized, but instead the creation of the commonly usable type, development toward “standards”.
- Display Heavy ObliqueOur modern system of production is imposed labor, a senseless pursuit, and, in its social aspects, without plan; its motive is to squeeze out profits to the limit. This in most cases is a reversal of its original purpose.
- Display BlackEach of the various people looking at the cow sees her in a way which is related to his occupation and his talents. The butcher sees the cow primarily as so many pounds of meat, so many pounds of fat, and so many pounds of bones.
- Display Black ObliqueRecognized for his invention of bicycle-handlebar-inspired tubular steel furniture, Breuer lived off his design fees at a time in the late 1920s and early 1930s when the architectural commissions he was looking for were few and far between.
- Settings
Typeface information
GT Era reimagines the warmth and idiosyncrasies of early grotesk typefaces for our own era. These pre-modernist tools were being pushed to their extremes in the radical designs of the modernist movements—like Bauhaus and De Stijl—of the period. The typeface shuns neutrality and embraces friction, championing recognition over uniformity and flavor over conformity.
Typeface features
OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Era’s fonts:
- SS01
- Alternate g
Painting
Typeface Minisite


- Visit the GT Era minisite to discover more about the typeface family’s history and design concept.

