GT Era
Family overview
- Display
- Thin Oblique
- Light Oblique
- Regular Oblique
- Medium Oblique
- Bold Oblique
- Heavy Oblique
- Black Oblique
- Text
- Thin Oblique
- Light Oblique
- Regular Oblique
- Medium Oblique
- Bold Oblique
- Heavy Oblique
- Black Oblique
Subfamilies
- Display ThinIn 1919, I lived in Vienna, lost among the depressed conformists of the postwar period. Coming from a farm in the agricultural center of Hungary, I was less intrigued with the baroque pompousness of the Austrian capital than with the highly developed technology of industrial Germany.
- Display Thin ObliqueBut the primary advantage of the flat roof is that it renders possible a much freer kind of interior planning.
- Display LightIn 1920, Albers joined the Weimar Bauhaus as a student and became a faculty member in 1922, teaching the principles of handicrafts.
- Display Light ObliqueTo sum up: the foundation of a flourishing modern school of architecture depends on the successful solution of a series of closely connected problems.
- Display RegularOur modern system of production is imposed labor, a senseless pursuit, and, in its social aspects, without plan; its motive is to squeeze out profits to the limit. This in most cases is a reversal of its original purpose.
- Display Regular ObliqueThe prime essential for fruitful collaboration on the part of our pupils was a complete understanding of the aims that have inspired the New Architecture.
- Display MediumThe ethical necessity of the New Architecture can no longer be called in doubt. And the proof of this—if proof were still needed—is that in all countries Youth has been fired with its inspiration.
- Display Medium ObliqueIn 1919, I lived in Vienna, lost among the depressed conformists of the postwar period. Coming from a farm in the agricultural center of Hungary, I was less intrigued with the baroque pompousness of the Austrian capital than with the highly developed technology of industrial Germany.
- Display BoldWe should accept nothing as predetermined, as constituted for eternity. Every firmly established, familiar thing can be shifted about and brought under a new and, primarily, unfamiliar order.
- Display Bold ObliqueThe ethical necessity of the New Architecture can no longer be called in doubt. And the proof of this—if proof were still needed—is that in all countries Youth has been fired with its inspiration.
- Display HeavyHis style in architecture and consumer goods was to be functional, cheap and consistent with mass production.
- Display Heavy ObliqueIn addition to being a teacher, Albers was an active abstract painter and theorist, best known for his series Homage to the Square, in which he explored chromatic interactions with nested squares, meticulously recording the colors used.
- Display BlackThe ethical necessity of the New Architecture can no longer be called in doubt. And the proof of this—if proof were still needed—is that in all countries Youth has been fired with its inspiration.
- Display Black ObliqueThe stronger the aesthetic experience the more completely will the objective, natural appearance of the object of the experience be annihilated.
- Settings
Typeface information
GT Era reimagines the warmth and idiosyncrasies of early grotesk typefaces for our own era. These pre-modernist tools were being pushed to their extremes in the radical designs of the modernist movements—like Bauhaus and De Stijl—of the period. The typeface shuns neutrality and embraces friction, championing recognition over uniformity and flavor over conformity.
Typeface features
OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Era’s fonts:
- SS01
- Alternate g
Painting
Typeface Minisite


- Visit the GT Era minisite to discover more about the typeface family’s history and design concept.

