GT Pantheon

Family overview
  • Micro
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Text
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Display
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
Subfamilies
  • Display Light
    Huc vina et unguenta et nimium breves flores amoenae ferre iube rosae, dum res et aetas et sororum fila trium patiuntur atra.
  • Display Light Italic
    Inpiger umbrosa Parnasi constitit arce eque sagittifera prompsit duo tela pharetra diversorum operum: fugat hoc, facit illud amorem;
  • Display Regular
    Parva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
  • Display Regular Italic
    Phoebus volentem proelia me loqui victas et urbes increpuit lyra, ne parva Tyrrhenum per aequor vela darem.
  • Display Medium
    Parva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
  • Display Medium Italic
    Huic deus optandi gratum, sed inutile, fecit muneris arbitrium gaudens altore recepto. ille male usurus donis ait ‘effice, quicquid corpore contigero, fulvum vertatur in aurum.’
  • Display Bold
    Heu quoties fidem mutatosque deos flebit et aspera nigris aequora ventis emirabitur insolens,
  • Display Bold Italic
    Uror enim, laesusque exaestuat acrior ignis, cumque suis videor translatam viribus Aetnam pectore ferre meo: nec tu, Galatea, moveris.
  • Display Black
    Certe ego me novi liquidaeque in imagine vidi nuper aquae, placuitque mihi mea forma videnti. adspice, sim quantus! Non est hoc corpore maior Iuppiter in caelo: nam vos narrare soletis, nescio quem regnare Iovem.
  • Display Black Italic
    Quo pinus ingens albaque populus umbram hospitalem consociare amant ramis? quid obliquo laborat lympha fugax trepidare rivo?
  • Settings
    Size
Typeface information

GT Pantheon is an interpretation of historic shapes in a contemporary manner. It exhibits an expressive and dynamic character visible in every stroke. At its core is the conception of three optically-adjusted faces, each designed to best represent the same type at different sizes: Display, Text, and Micro. Within this spectrum, the family moves between elegance, sharpness, warmth and robustness, matching expression with functionality.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian , Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface Minisite
  • Visit the GT Pantheon minisite to discover more about the typeface family’s history and design concept.
GT Pantheon in use