GT Pantheon

Family overview
  • Micro
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Text
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Display
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
Subfamilies
  • Display Light
    Heu quoties fidem mutatosque deos flebit et aspera nigris aequora ventis emirabitur insolens,
  • Display Light Italic
    Solvitur acris hiems grata vice veris et Favoni trahuntque siccas machinae carinas ac neque iam stabulis gaudet pecus aut arator igni nec prata canis albicant pruinis.
  • Display Regular
    Haec sed forma mei pars est extrema furoris; sunt maiora, quibus, Basse, perire iuvat: ingenuus color et multis decus artibus, et quae gaudia sub tacita dicere veste libet.
  • Display Regular Italic
    Parva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
  • Display Medium
    Non ullo gravius temptatur Cynthia damno quam sibi cum rapto cessat amore decus: praecipue nostri. maneat sic semper, adoro, nec quicquam ex illa quod querar inveniam!
  • Display Medium Italic
    Da mi basia mille, deinde centum, dein mille altera, dein secunda centum, dein usque altera mille, deinde centum dein, cum milia multa fecerimus.
  • Display Bold
    Parva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
  • Display Bold Italic
    Heu quoties fidem mutatosque deos flebit et aspera nigris aequora ventis emirabitur insolens,
  • Display Black
    Fies nobilium tu quoque fontium me dicente cavis impositam ilicem saxis, unde loquaces lymphae desiliunt tuae.
  • Display Black Italic
    Quo pinus ingens albaque populus umbram hospitalem consociare amant ramis? quid obliquo laborat lympha fugax trepidare rivo?
  • Settings
    Size
Typeface information

GT Pantheon is an interpretation of historic shapes in a contemporary manner. It exhibits an expressive and dynamic character visible in every stroke. At its core is the conception of three optically-adjusted faces, each designed to best represent the same type at different sizes: Display, Text, and Micro. Within this spectrum, the family moves between elegance, sharpness, warmth and robustness, matching expression with functionality.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian , Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface Minisite
  • Visit the GT Pantheon minisite to discover more about the typeface family’s history and design concept.
GT Pantheon in use