GT Pantheon

Family overview
  • Micro
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Text
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Display
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
Subfamilies
  • Display Light
    Nunc est bibendum, nuc pede libero pulsanda tellus, nunc Saliaribus ornare pulvinar deorum tempus erat dapibus, sodales.
  • Display Light Italic
    Qui nunc te fruitur credulus aurea; qui semper vacuam, semper amabilem sperat, nescius aurae fallacis. miseri quibus.
  • Display Regular
    Est qui nec veteris pocula Massici nec partem solido demere de die spernit, nunc viridi membra sub arbuto stratus, nunc ad aquae lene caput sacrae.
  • Display Regular Italic
    Da mi basia mille, deinde centum, dein mille altera, dein secunda centum, dein usque altera mille, deinde centum dein, cum milia multa fecerimus.
  • Display Medium
    Iam modo caeruleo nitidum caput exsere ponto, iam, Galatea, veni, nec munera despice nostra.
  • Display Medium Italic
    Nunc est bibendum, nuc pede libero pulsanda tellus, nunc Saliaribus ornare pulvinar deorum tempus erat dapibus, sodales.
  • Display Bold
    Haec sed forma mei pars est extrema furoris; sunt maiora, quibus, Basse, perire iuvat: ingenuus color et multis decus artibus, et quae gaudia sub tacita dicere veste libet.
  • Display Bold Italic
    Est qui nec veteris pocula Massici nec partem solido demere de die spernit, nunc viridi membra sub arbuto stratus, nunc ad aquae lene caput sacrae.
  • Display Black
    Pluma tegit volucres, ovibus sua lana decori est: barba viros hirtaeque decent in corpore saetae. unum est in media lumen mihi fronte, sed instar ingentis clipei. quid?
  • Display Black Italic
    Est qui nec veteris pocula Massici nec partem solido demere de die spernit, nunc viridi membra sub arbuto stratus, nunc ad aquae lene caput sacrae.
  • Settings
    Size
Typeface information

GT Pantheon is an interpretation of historic shapes in a contemporary manner. It exhibits an expressive and dynamic character visible in every stroke. At its core is the conception of three optically-adjusted faces, each designed to best represent the same type at different sizes: Display, Text, and Micro. Within this spectrum, the family moves between elegance, sharpness, warmth and robustness, matching expression with functionality.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian , Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface Minisite
  • Visit the GT Pantheon minisite to discover more about the typeface family’s history and design concept.
GT Pantheon in use