GT Pantheon
Family overview
- Micro
- Light Italic
- Regular Italic
- Medium Italic
- Bold Italic
- Black Italic
- Text
- Light Italic
- Regular Italic
- Medium Italic
- Bold Italic
- Black Italic
- Display
- Light Italic
- Regular Italic
- Medium Italic
- Bold Italic
- Black Italic
Subfamilies
- Display LightErgo ubi caelicolae parvos tetigere penates submissoque humiles intrarunt vertice postes, membra senex posito iussit relevare sedili, quo superiniecit textum rude sedula Baucis.
- Display Light ItalicDa mi basia mille, deinde centum, dein mille altera, dein secunda centum, dein usque altera mille, deinde centum dein, cum milia multa fecerimus.
- Display RegularSolvitur acris hiems grata vice veris et Favoni trahuntque siccas machinae carinas ac neque iam stabulis gaudet pecus aut arator igni nec prata canis albicant pruinis.
- Display Regular ItalicQui nunc te fruitur credulus aurea; qui semper vacuam, semper amabilem sperat, nescius aurae fallacis. miseri quibus.
- Display MediumParva mora est, epulasque foci misere calentes, nec longae rursus referuntur vina senectae dantque locum mensis paulum seducta secundis.
- Display Medium ItalicEst qui nec veteris pocula Massici nec partem solido demere de die spernit, nunc viridi membra sub arbuto stratus, nunc ad aquae lene caput sacrae.
- Display BoldLorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
- Display Bold ItalicErgo ubi caelicolae parvos tetigere penates submissoque humiles intrarunt vertice postes, membra senex posito iussit relevare sedili, quo superiniecit textum rude sedula Baucis.
- Display BlackIam modo caeruleo nitidum caput exsere ponto, iam, Galatea, veni, nec munera despice nostra.
- Display Black ItalicSolvitur acris hiems grata vice veris et Favoni trahuntque siccas machinae carinas ac neque iam stabulis gaudet pecus aut arator igni nec prata canis albicant pruinis.
- Settings
Typeface information
GT Pantheon is an interpretation of historic shapes in a contemporary manner. It exhibits an expressive and dynamic character visible in every stroke. At its core is the conception of three optically-adjusted faces, each designed to best represent the same type at different sizes: Display, Text, and Micro. Within this spectrum, the family moves between elegance, sharpness, warmth and robustness, matching expression with functionality.
Typeface Minisite


- Visit the GT Pantheon minisite to discover more about the typeface family’s history and design concept.
GT Pantheon in use

