GT Pantheon

Family overview
  • Micro
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Text
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
  • Display
  • Light Italic
  • Regular Italic
  • Medium Italic
  • Bold Italic
  • Black Italic
Subfamilies
  • Display Light
    Soles occidere et redire possunt; nobis cum semel occidit brevis lux, nox est perpetua una dormienda.
  • Display Light Italic
    Seu pluris hiemes seu tribuit Iuppiter ultimam, quae nunc oppositis debilitat pumicibus mare Tyrrhenum, sapias, vina liques et spatio brevi spem longam reseces.
  • Display Regular
    Qui nunc te fruitur credulus aurea; qui semper vacuam, semper amabilem sperat, nescius aurae fallacis. miseri quibus.
  • Display Regular Italic
    Haec sed forma mei pars est extrema furoris; sunt maiora, quibus, Basse, perire iuvat: ingenuus color et multis decus artibus, et quae gaudia sub tacita dicere veste libet.
  • Display Medium
    Huic deus optandi gratum, sed inutile, fecit muneris arbitrium gaudens altore recepto. ille male usurus donis ait ‘effice, quicquid corpore contigero, fulvum vertatur in aurum.’
  • Display Medium Italic
    Heu quoties fidem mutatosque deos flebit et aspera nigris aequora ventis emirabitur insolens,
  • Display Bold
    Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
  • Display Bold Italic
    Haec sed forma mei pars est extrema furoris; sunt maiora, quibus, Basse, perire iuvat: ingenuus color et multis decus artibus, et quae gaudia sub tacita dicere veste libet.
  • Display Black
    Est qui nec veteris pocula Massici nec partem solido demere de die spernit, nunc viridi membra sub arbuto stratus, nunc ad aquae lene caput sacrae.
  • Display Black Italic
    Qui nunc te fruitur credulus aurea; qui semper vacuam, semper amabilem sperat, nescius aurae fallacis. miseri quibus.
  • Settings
    Size
Typeface information

GT Pantheon is an interpretation of historic shapes in a contemporary manner. It exhibits an expressive and dynamic character visible in every stroke. At its core is the conception of three optically-adjusted faces, each designed to best represent the same type at different sizes: Display, Text, and Micro. Within this spectrum, the family moves between elegance, sharpness, warmth and robustness, matching expression with functionality.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian , Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface Minisite
  • Visit the GT Pantheon minisite to discover more about the typeface family’s history and design concept.
GT Pantheon in use